Dominik is interested in people, culture, place and misplacement with a focus on building personal relationships and living with rural and urban communities for extended periods of time. Over twenty years she worked and lived in Cameron, Guinee (West Africa), Niger, Filipines and Belgium raising the profile of rural and marginal communities through film, sound recordings, visual arts projects and community based projects such as the building of water wells in Niger, community health support in the Filipines, empowerment social cohesion projects.


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Behind The Tune

Behind the tune is a crossover project between Overtoon, artist Dominik ’t Jolle, and Jan Ost from BRAI3N, a multidisciplinary centre for brain research.

Dominik has been suffering from ringing in the ears and even sound hallucinations for much of her life. Already as a child she observed vibrations and flashes of light with realistic resonances in the room where she was. She woke up one morning with a deafening, high sine tone that never stopped. As a sound artist, she wants to translate those impressions into an audiovisual project that can be understood by a wide audience, but also by her doctors and researchers in tinnitus research. It will be a work of art with sound and projection that maps its tinnitus spectrum.

Hearing damage is not the only causal factor in the tinnitus complex. The interaction between stress and stored information creates a network of neuronal connections. The hyperactivity of the compounds manifests itself as an acoustic phantom in these patients. The brain wave registration shows links between activity in the different brain areas. Dominik took the drawings of the connectivity analysis (qEEG) as a starting point for sketches, for the design of the installation, for the distribution of a network of transducers and lines throughout the room, in order to give shape to the hypersensitization.

Rather than transposing EEG brain data into sonic or musical elements, Dominik chose to build an immersive environment where static illuminated sculptural pieces relate to a dynamic sound track spatialised over the objects with tens of tiny transducers. The visitor creates his own mix between sound sources as he walks among them. This art-science project aims to re-enact a brain mapping by means of a metaphorical space, rendering a subjective experience of pressures that is mirrored in the tension between auditory and visual perception.